Kate Nash Embraces OnlyFans to Supplement Touring Income

In an honest reflection on the current state of the music industry, Nash suggests that her income from OnlyFans could surpass her concert revenue, citing the financial struggles faced by musicians in a climate of rising costs.

Singer-songwriter Kate Nash is taking an unconventional approach to her income by joining OnlyFans, suggesting that her photos could yield more profits than her concert tours. Known for her 2007 hit "Foundations," Nash recently stated that she's facing financial difficulties on the touring circuit, where profits have become scarce. Announcing her entry into the subscription-based platform, she emphasized that her earnings from OnlyFans will help fund what she refers to as her "passion project," which spans nearly two decades.

Under the catchy slogan "Butts for tour buses," Nash explained her predicament as an artist in today’s music landscape, noting that touring often results in losses rather than profits. "I want to highlight that, and I want people to talk about it," she said, asserting her desire for transparency in the music business.

Having just concluded a three-week tour across the US, Nash began her UK leg on Thursday, with a sold-out show at London’s Koko. She expressed frustration over the lack of financial rewards, saying, "I'm losing money from those tours." To address this issue, she considered various avenues to recoup costs, such as merchandise sales, but found no viable solution that wouldn’t compromise the quality of her performances.

Notably, Nash is using her platform to empower women, calling for a progressive shift in control over their bodies. "I think it’s an important time for women to take control and to feel empowered," she stated, adding that she already shares images of her backside online. "The arse is the perfect combination of comedy and sexuality," Nash remarked.

Unlike streaming services like Spotify, which she critiqued for their low payouts, Nash’s move reflects a growing trend among artists seeking alternative revenue streams. Other musicians, including Lily Allen, have similarly reported higher earnings from selling content on OnlyFans than through traditional music channels.

Highlighting the broader challenges facing artists, Nash referenced a survey indicating stagnant gig fees despite increasing ticket prices. "Most artists have not seen an increase in gig fees in recent years," she noted, urging a discussion about fair compensation for musicians.

Furthermore, she argued that the music industry is creating barriers that prevent diversity and accessibility for working-class artists. Nash suggests musicians could learn valuable lessons from sex workers on maintaining control and valuing their art in a commercial environment. "We’re totally happy to devalue it," she commented, calling for artists to assert their worth in a competitive industry.

As musicians increasingly grapple with financial obstacles, Nash’s bold strategy on OnlyFans serves as both a personal solution and a bold statement about the future of the music business.