The film, which won multiple accolades at Cannes, explores themes of identity and transformation against a backdrop of crime in modern Mexico.
**Selena Gomez Shines in New Academy Award Contender Emilia Pérez**

**Selena Gomez Shines in New Academy Award Contender Emilia Pérez**
In a remarkable shift for the pop star, Selena Gomez delivers a stunning performance in the Oscar-bound musical, Emilia Pérez, now on Netflix.
Recent media outlets are abuzz over Selena Gomez's latest role in the Oscar-hopeful musical Emilia Pérez, which premiered on Netflix this week. After earning critical acclaim at the Cannes Film Festival, where its four lead actresses jointly won best actress, the film has solidified its place in the upcoming awards season.
Emilia Pérez, directed by French filmmaker Jacques Audiard, intricately weaves the tale of a drug cartel leader (played by Karla Sofía Gascón) who enlists a lawyer named Rita (Zoe Saldaña) to fake his own death. Unexpectedly, the story unveils that the cartel leader aims to transition into a woman and leave behind a life of crime. The narrative further explores the lives of four women, including the newly transitioned Emilia, as they navigate their quests for identity and happiness in contemporary Mexico.
The ambitious concept stemmed from Audiard's inspiration drawn from Boris Razon's 2018 novel, which sparked his curiosity about identity alteration beyond mere evasion from crime. “I was more fascinated by the individual journey behind the transition,” Audiard explained in an interview, highlighting his commitment to authentic storytelling. Gascón, a Spanish trans actress, was specifically chosen for the role, showcasing her impressive versatility in singing and acting for the demanding part.
Gascón passionately advocated for playing both the male and female iterations of the character, believing that this dynamic was essential for the film's integrity. Her dedication shines through as she expressed, “It's a once-in-a-lifetime role, and I wanted to embrace the complete narrative.”
While critics have lauded Gascón’s performance as a breakthrough, Gomez—best known for her work in Disney productions and more recently in Only Murders in the Building—has successfully shed her previous image. Entertainment Weekly praised her unexpected portrayal of a resilient wife entangled in her husband’s secrets, highlighting a powerful emotional range that adds depth to her character.
The film is already garnering buzz for potential awards recognition, with its international premiere set to mark France's official entry for the best international feature category at the Oscars. Critics are split on the film's ambitious approach, with some hailing it as a genre-bending masterpiece while others find faults in its tonal fluctuations; nevertheless, the consensus acknowledges the project’s bold storytelling.
As Gomez continues to branch out into challenging roles, co-star Adriana Paz echoes the sentiment that recognition for the film has been overwhelming yet gratifying. Paz reflected on how the success of Emilia Pérez is fostering a renewed appreciation for her body of work, all while expressing her enthusiasm for pursuing new theatrical ventures.
In a light-hearted tone, Gascón humorously noted her reticence towards musicals, quipping, “I don’t like singing or dancing, so please don’t call me!” Meanwhile, Gomez’s adaptation to this multifaceted role exemplifies her growth as an artist. As the film gains momentum, it remains to be seen how the Academy voters will respond in March, but the spotlight on Emilia Pérez and its diverse cast promises an exciting journey ahead for all involved.
Emilia Pérez, directed by French filmmaker Jacques Audiard, intricately weaves the tale of a drug cartel leader (played by Karla Sofía Gascón) who enlists a lawyer named Rita (Zoe Saldaña) to fake his own death. Unexpectedly, the story unveils that the cartel leader aims to transition into a woman and leave behind a life of crime. The narrative further explores the lives of four women, including the newly transitioned Emilia, as they navigate their quests for identity and happiness in contemporary Mexico.
The ambitious concept stemmed from Audiard's inspiration drawn from Boris Razon's 2018 novel, which sparked his curiosity about identity alteration beyond mere evasion from crime. “I was more fascinated by the individual journey behind the transition,” Audiard explained in an interview, highlighting his commitment to authentic storytelling. Gascón, a Spanish trans actress, was specifically chosen for the role, showcasing her impressive versatility in singing and acting for the demanding part.
Gascón passionately advocated for playing both the male and female iterations of the character, believing that this dynamic was essential for the film's integrity. Her dedication shines through as she expressed, “It's a once-in-a-lifetime role, and I wanted to embrace the complete narrative.”
While critics have lauded Gascón’s performance as a breakthrough, Gomez—best known for her work in Disney productions and more recently in Only Murders in the Building—has successfully shed her previous image. Entertainment Weekly praised her unexpected portrayal of a resilient wife entangled in her husband’s secrets, highlighting a powerful emotional range that adds depth to her character.
The film is already garnering buzz for potential awards recognition, with its international premiere set to mark France's official entry for the best international feature category at the Oscars. Critics are split on the film's ambitious approach, with some hailing it as a genre-bending masterpiece while others find faults in its tonal fluctuations; nevertheless, the consensus acknowledges the project’s bold storytelling.
As Gomez continues to branch out into challenging roles, co-star Adriana Paz echoes the sentiment that recognition for the film has been overwhelming yet gratifying. Paz reflected on how the success of Emilia Pérez is fostering a renewed appreciation for her body of work, all while expressing her enthusiasm for pursuing new theatrical ventures.
In a light-hearted tone, Gascón humorously noted her reticence towards musicals, quipping, “I don’t like singing or dancing, so please don’t call me!” Meanwhile, Gomez’s adaptation to this multifaceted role exemplifies her growth as an artist. As the film gains momentum, it remains to be seen how the Academy voters will respond in March, but the spotlight on Emilia Pérez and its diverse cast promises an exciting journey ahead for all involved.